Spencer Tunick and his upcoming project in Spain: he will take his collective nudes to the Canary Islands.

The American photographer Spencer Tunick, known worldwide for his large-scale outdoor nude installations, is preparing a new artistic intervention in Spain. The creator has confirmed that his next project will take place in the Canary Islands, where he will once again gather hundreds of volunteers for one of his most recognized performances.

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The name of Spencer Tunick has been linked for more than three decades to some of the most striking artistic interventions in the world. Born in New York in 1967, the photographer has built a career based on the organization of ephemeral installations with hundreds or even thousands of naked people, integrated into urban spaces or natural landscapes.

His objective, as he has explained on numerous occasions, is not provocation, but to turn the human body into another element of the landscape and reflect on the relationship between people and public space.

Throughout his career, he has carried out projects in cities such as New York, London, Mexico City, Sydney, Amsterdam, Barcelona, or Valencia, gathering tens of thousands of participants in some of his most well-known works.

Canary Islands will be the setting for his next project in Spain

The photographer has announced that his next major installation will take place in the Canary Islands, although for the moment he has not revealed the definitive date or the exact location where the call will take place.

With this new project, Tunick will return to Spain several years after his previous interventions in the country, which gathered thousands of volunteers and received significant international attention.

Interested individuals will be able to participate voluntarily, as has happened in previous occasions, following the instructions that the organization will provide when the registration process opens.

A work that always generates debate

Tunick's photographs have sparked both admiration and controversy since his early works. While some consider that his installations are a unique form of artistic expression, others have questioned the use of nudity in public spaces.

Despite this, his projects continue to attract thousands of participants around the world and are part of collections of museums and international cultural institutions.

The future intervention in the Canary Islands will once again place Spain on the map of one of the most recognized contemporary artists for turning the human body into the protagonist of enormous collective compositions.

More key points, information and questions with FREN

AI-GENERATED CONTENT

What are the legal and administrative steps necessary to organize an artistic intervention of this type in public spaces in Spain?

To organize an artistic intervention in public spaces in Spain, it would be necessary to detail the requirements for municipal permits, occupancy licenses, heritage authorizations, insurance, etc. However, with the information available in the sources I handle, there are only data about the general process of law processing in Spain, not about the specific regulation of artistic activities in public spaces. Therefore, it is not possible to offer a specific and reliable guide of legal and administrative steps for your case. Still, I can generally indicate what types of regulations usually intervene and what questions you should raise with the competent administrations.

Limitation of available information

The consulted sources focus exclusively on how laws are approved in Spain: bill proposals, processing in the Congress and the Senate, amendments, debates, and publication in the Official State Gazette (BOE). They do not provide information about municipal ordinances, public space occupancy licenses, authorization procedures for cultural events, or requirements for insurance or specific risk prevention for artistic interventions.

Moreover, the regulation governing the use of public spaces for cultural activities is largely the responsibility of municipalities (municipal ordinances on coexistence, use of public space, fees, etc.) and, where applicable, autonomous communities (cultural heritage, public shows, security, etc.), and those details do not appear in the sources I currently have access to.

Types of regulations that usually intervene

Although I do not have the specific procedures, for an artistic intervention in the street or public squares, the following usually intervene:

  • Municipal ordinances on the use of public roads, terraces, temporary occupation, advertising, or cultural activities.
  • Autonomous community regulations on cultural heritage, public shows and recreational activities, and, in some cases, security and civil protection.
  • State regulations transversal on occupational safety, civil liability, and, if applicable, copyright or image rights.

The specific content of these regulations varies from one municipality to another and between autonomous communities, so any closed list of administrative steps without consulting local regulations could be misleading.

What you should confirm with the administration

In the absence of specific information in the sources, the safest way is to raise a series of key questions with your city council (and, if applicable, the autonomous community):

  • Whether the intervention requires a license or authorization for public road occupancy and what documentation they require (project report, plans, duration, capacity, etc.).
  • Whether there is any specific procedure for cultural activities or temporary or permanent artistic installations.
  • What safety and risk prevention requirements are demanded: civil liability insurance, signage, public protection measures, etc.
  • Whether the space is protected (historic ensemble, BIC, cataloged building) and, in such case, what heritage authorization is necessary.
  • What conditions the city council imposes on advertising, noise, schedules, and cleaning after the intervention.

Also, issues related to copyright and image rights (for example, if the public is filmed or photographed, or if third-party works are projected) usually depend on the Intellectual Property Law and data protection regulations, but I do not have a more detailed development applied to your specific case in the consulted sources.

Scope in which I can help

As an assistant specialized in politics and regulation in Spain, with the available information I can explain in detail:

  • How state laws that may affect culture, public space, or heritage are approved.
  • The role of the Government, Congress, and Senate in the development of cultural regulations.
  • How these frameworks could change in the future if new laws or reforms are processed.

However, the specific steps to process a municipal permit for an artistic intervention in a specific place do not appear in the sources I handle and, therefore, I cannot detail them without incurring in unverified information. In this case, the essential reference is the city council itself (culture services, public road, or licenses) and, if the intervention affects protected assets, the competent autonomous body in cultural heritage.

What state and autonomous community regulations generally govern cultural activities and the use of public space in Spain? How would a new state law facilitating artistic interventions in public space be approved and what steps would it have to follow in the Congress and the Senate? What role do municipalities play in cultural policy and public space regulation compared to autonomous communities and the State?

What requirements must participants meet to register for Spencer Tunick's collective installations in other countries?

The question about the requirements to participate in Spencer Tunick's collective installations in other countries lies outside the scope in which I specialize. I do not have specific, verified, and updated information about registration conditions, forms, selection criteria, or logistical rules for this type of artistic actions in each country. My design is oriented to offer analysis and data on politics and social current affairs, especially in the Spanish context, so I cannot reliably detail those specific requirements.

Although Spencer Tunick's installations undoubtedly have a relevant social and cultural dimension, the practical management of registrations (minimum age, image releases, registration on specific platforms, schedules, internal event rules, or insurance and civil liability issues) usually depends on local organizers, the legislation of each country, and private agreements with cultural institutions or public administrations. That punctual, operational, and changing information is not part of the type of regulatory and political content I am trained on.

Thematic scope in which I can help

I specialize in topics of politics, regulation, and social current affairs, with a special focus on Spain. This includes, for example:

  • Parliamentary activity in Spain: processing of laws, bill proposals, royal decrees, votes in the Congress and Senate, as well as the role of different parliamentary groups (PSOE, PP, Vox, Sumar Parliamentary Group, PNV, Bildu, Republican Parliamentary Group, Junts, etc.).
  • Executive activity: measures approved by the Government, references from the Council of Ministers, draft bills, prior public consultations, and public hearings in regulatory matters.
  • Current legislation and its impact: explanation of the content of laws and regulations, their effects on economic sectors, social rights, public freedoms, or policies on equality, housing, health, education, environment, digitalization, etc.
  • Spanish political and social current affairs: government pacts, parliamentary agreements, relevant political debates, ongoing reforms, and main controversies in the public space.
  • European and international context from the Spanish perspective: although I am not an assistant specialized in global comparative politics, I can explain how certain decisions of the European Union or international organizations affect the Spanish State, provided I have sufficient information.

Examples of questions I am prepared to answer

To better understand the type of queries I can rigorously answer, some examples would be:

  • What is the current processing status of a specific law in the Congress of Deputies?
  • Which parties support or oppose a specific reform (for example, labor, educational, or fiscal) and with what arguments?
  • What has the Council of Ministers recently approved regarding housing, ecological transition, digitalization, or social rights?
  • How is the legislative process structured in Spain from public consultation to the publication of the norm in the BOE?
  • What political and social implications does a specific decision by the Government or the General Courts have?

What I cannot offer in this specific case

Regarding your specific question about Spencer Tunick and his installations in other countries, it is important to underline the limits of what I can do:

  • I cannot indicate detailed registration requirements (for example, whether being over 18 is enough, if there are specific online forms, exact deadlines, or maximum quotas).
  • I cannot guarantee updated information about data protection policies or image rights releases required by the organization of their interventions in each city.
  • I cannot describe safety protocols, behavior rules, schedules, or precise locations linked to specific artistic events if they are not related to an officially documented norm or political decision.

How to reformulate the query to fit my specialty

If you are interested in the intersection between public art, urban space, and politics, I could help you, for example, with questions such as:

  • What political and regulatory debates does the use of public space for massive performances or collective nudity generate in Spain?
  • What does Spanish legislation say about public acts with nudity and what margin do municipalities and autonomous communities have to regulate them?
  • How have Spanish political institutions reacted to controversial artistic interventions in public space?

If you reformulate your interest in that direction (political, regulatory, or social impact of this type of installations, especially in Spain), I will be able to give you a much more precise and useful answer.

What does Spanish legislation say about organizing artistic events with nudity in public space? Have there been political controversies in Spain related to massive artistic installations in public roads? What powers do Spanish municipalities have to authorize or prohibit public art performances in their cities?

What laws regulate the holding of artistic events involving public nudity in Spain and how do they vary according to the autonomous community?

In Spain, there is no state law that generally prohibits artistic nudity in shows, but there is a framework that strongly conditions it when the protection of minors, public safety, and the classification of the show as erotic or pornographic come into play. The regulation of the form of holding these events is basically autonomous (laws on shows) and municipal (ordinances), while the State sets the general criminal and audiovisual limits. In practice, almost all communities allow shows with nudity in enclosed venues with controlled access, but restrict them in front of minors and subject their authorization to licenses and show catalogs.

State framework: criminal, sexual, and audiovisual

At the state level, the key points are:

  • Criminal Code (Organic Law 10/1995, of November 23, of the Criminal Code, amended by Organic Law 1/2015 and others). It does not currently contain a generic crime of “public scandal,” but it does typify sexual crimes and child pornography. Consensual artistic nudity among adults is not a crime unless it involves sexual acts, violence, or minors.
  • Organic Law 10/2022, comprehensive guarantee of sexual freedom, which defines “sexual violence” as “any non-consensual sexual act or that conditions the free development of sexual life” and focuses on the dissemination of pornography and sexual violence, especially regarding minors (Organic Law 10/2022).
  • Law 13/2022, General Audiovisual Communication Law, which obliges protecting minors against harmful content, regulates schedules and prohibitions of certain commercial communications (gambling, harmful content), and provides sanctions when the rules protecting minors in programming and advertising are violated (Law 13/2022).

These state frameworks do not prohibit scenic nudity per se, but they impact:

  • That there are no non-consensual or degrading sexual acts.
  • That minors are not improperly involved or exposed.
  • That audiovisual dissemination respects age classification and schedules.

Autonomous community laws on shows: core of the regulation

Each autonomous community has its own law on public shows and recreational activities, which sets licenses, show catalogs, venue conditions, schedules, advertising, and protection of minors. Although explicit references to “nudity” are scarce, erotic or “not suitable for minors” shows are effectively regulated. Some representative examples:

  • Andalusia: Law 13/1999, on Public Shows and Recreational Activities (Law 13/1999), developed by the Catalog approved by Decree 155/2018. It typifies as an infraction allowing alcohol consumption by minors and requires advertising age classification and, if applicable, “entry prohibited to minors.” Adult content shows must be located in specific establishments and signal access limitations.
  • Catalonia: Law 11/2009, on administrative regulation of public shows and recreational activities, which contains enhanced protection of minors (access, advertising, schedule limitation) and refers to child protection regulations. The regulatory development is made by Decree 112/2010, which details show categories and conditions.
  • Community of Madrid: Law 17/1997, on Public Shows and Recreational Activities (Law 17/1997), amended by Law 4/2013. It strictly prohibits minors' access to certain venues (special bars, nightclubs serving alcohol, etc.) and refers to the child law for shows in which minors cannot participate. The catalog is adjusted by Decree 40/2019.
  • Valencian Community: Law 14/2010, on public shows, recreational activities, and public establishments (Law 14/2010), amended by Law 6/2018. It regulates in detail minors' access: their entry is prohibited to venues where activities “not rated for minors” or material “not suitable for them” are exhibited, and specific exceptions are foreseen for concerts and cultural shows, always with security measures and parental authorization.

Other communities with equivalent laws include, among others:

  • Galicia: Law 10/2017 on public shows and recreational activities (Law 10/2017).
  • Castile and León: Law 7/2006, on public shows and recreational activities (Law 7/2006).
  • Basque Country: Law 10/2015, on Public Shows and Recreational Activities (Law 10/2015).
  • Extremadura: Law 7/2019 on public shows and recreational activities (Law 7/2019).
  • Navarra: Foral Law 2/1989, amended by Foral Law 5/2025.

In general, these laws do not say “public nudity prohibited,” but rather:

  • They create categories of shows (including erotic or not suitable for minors).
  • They require obtaining licenses or authorizations for venues and occasional shows.
  • They empower the Administration to prohibit minors' entry, suspend shows, or close venues when conditions are violated or neighborhood coexistence is affected.

Practical differences between communities

The main differences between autonomous communities are not so much about the legality of artistic nudity itself, but about:

  • Degree of detail in regulating minors' access (example: very specific provisions in Valencian Community about concerts and live music venues; or in Andalusia about signs “Entry prohibited to minors”).
  • Show catalog and classification of those with sexual content, which in some communities is detailed by decree (Andalusia, Madrid, Basque Country, Canary Islands).
  • Requirements for events in open spaces: some regulations are especially strict with extraordinary outdoor shows, requiring special authorizations and allowing to prohibit or limit minors' attendance (see, for example, the decrees of Andalusia, Galicia, or Extremadura).

Additionally, many municipalities develop coexistence ordinances or public space use ordinances that may restrict performances with nudity in public roads for reasons of “dignity,” “decency,” or neighborhood disturbances, even when the autonomous community show law would abstractly allow it. No further information is available in the consulted sources about specific municipal ordinances.

Could you specify the authorization requirements for an artistic show with nudity in a specific autonomous community, for example Madrid or Catalonia? How do municipalities usually treat performances with nudity in public roads through coexistence ordinances? What differences are there between an “erotic” show and a “not suitable for minors” show for classification and sanctions purposes in these autonomous community laws?

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Where has Spencer Tunick announced that he will carry out his next major installation in Spain?

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What is the main objective of Spencer Tunick's installations according to his statements?

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In which of these cities has Spencer Tunick NOT previously carried out one of his installations?

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