The Pija and the Quinqui have consolidated as two of the most recognizable voices in digital entertainment in Spain, especially among young people who consume information and current affairs through social networks and podcasts. Carlos Peguer and Mariang Maturana, the creators of the format, have gone from recording informal conversations in a kitchen to interviewing some of the main figures of Spanish culture, including a visit from the President of the Government, Pedro Sánchez, during the campaign for the general elections in July 2023. Three years later, with a community that totals hundreds of thousands of followers, their trajectory is once again gaining relevance ahead of the elections on November 29, in which digital platforms will play a prominent role in the communication of the parties with the young electorate.
Their influence does not come from presenting a traditional political program, but precisely the opposite. The Pija and the Quinqui have built their success on spontaneity, humor, personal conversations, and a language far removed from conventional television formats. A formula that allows them to connect with an audience accustomed to consuming short content on TikTok and Instagram, but also more extensive interviews on YouTube and Spotify. In a scenario where parties are seeking new ways to reach voters, the success of the podcast illustrates how digital creators can become relevant interlocutors for political representatives, even without directly participating in an electoral campaign.
From a kitchen to interviewing Rosalía: the origin of The Pija and the Quinqui
The project was born in January 2022, when Carlos Peguer, a native of Don Benito (Badajoz), and María de los Ángeles Maturana, known as Mariang and from Cartagena, decided to launch a podcast based on their personal conversations. They had met years earlier through Twitter and shared a way of understanding the internet marked by cultural references, humor, and the communication codes of their generation.
What began as an informal space, recorded in a kitchen and with modest resources, started to gain popularity thanks to the circulation of fragments on social media. Conversations about romantic relationships, music, popular culture, and everyday experiences connected with a young audience that found in the format an alternative to traditional interviews. The naturalness of its presenters and the absence of a rigid script became two of its main hallmarks.
The first major media leap came during the summer of 2022, when Rosalía appeared on the show along with her sister Pili. The participation of the artist, who was in one of the moments of greatest international projection of her career, multiplied the visibility of a project that until then had mainly developed within digital communities. That episode consolidated La Pija y la Quinqui as an attractive space for artists and personalities interested in connecting with young audiences.
Since then, figures such as Aitana, Nathy Peluso, Rigoberta Bandini, Sebastián Yatra, Lola Índigo, Belén Esteban, or Pedro Almodóvar have passed through its microphones, among other names from music, film, and television. The growth of the format also allowed its linkage with Spotify and the arrival of commercial collaborations, consolidating a professional activity that in 2026 has reached its sixth season.
The interview with Pedro Sánchez that changed political communication on 23J
One of the most important events of its trajectory came on July 16, 2023, when Pedro Sánchez participated in La Pija y la Quinqui just a week before the general elections on July 23. The interview represented one of the most unique bets of the communication strategy of the socialist leader during that campaign, in which he combined his appearances in traditional media with interventions in entertainment formats.
The episode drew attention for the contrast between the guest and the usual tone of the program. Instead of an interview focused on electoral proposals, parliamentary agreements, or confrontations between parties, Sánchez talked about his musical tastes, his adolescence, his personal life, and the memes that circulated about him on the internet. He also answered one of the characteristic questions of the podcast, in which the hosts ask their guests to define themselves as more "posh" or more "chav".
The conversation allowed for a portrayal of the president away from press conferences and parliamentary debates, in an attempt to reach out to sectors that usually do not follow political information through conventional channels. The interview had a significant impact on social media, where fragments of the meeting, jokes, and references to digital culture were spread, contributing to prolonging his public presence beyond the duration of the episode.
Sánchez's appearance also generated debate about the boundaries between entertainment and political communication. While some interpreted the interview as a way to bring leaders closer to young people, others questioned the absence of demanding questions about the government's management and its electoral proposals. The episode highlighted the possibilities and limitations of these new formats: they allow for the humanization of politicians and expand their visibility, but do not necessarily replace traditional journalistic scrutiny.
The impact also does not alone demonstrate that the interview changed the voting intention of its viewers. However, it did confirm that a podcast born outside of major media could become a relevant stop within the electoral campaign of a government president.
Almost 570,000 followers on TikTok and nearly 400,000 on Instagram
The dimension of La Pija and la Quinqui is especially reflected in their digital audience figures. According to the public measurements available in 2026, their TikTok account has around 570,000 followers, a platform where their interview and conversation fragments have a notable capacity for dissemination. The social network was one of the main engines of their popularity and continues to be one of their showcases to connect with new viewers.
On Instagram, the joint profile has around 392,000 followers, while its YouTube channel has approximately 237,000 subscribers. To these figures is added its presence on X, where they have nearly 83,000 followers, in addition to the listeners who follow their episodes through Spotify and other audio platforms.
These figures represent more than 1.2 million followers summed across their main profiles, although they do not equate to different people, as the same user may follow them on multiple platforms. They also do not allow knowing how many are of legal age or have the right to vote. The numbers are approximate and correspond to measurements available during 2026, so they may vary.
The evolution is significant when compared to the electoral campaign of 2023. Back then, when they received Sánchez, the podcast exceeded 230,000 followers on TikTok and 60,000 subscribers on YouTube. Three years later, the digital community is considerably larger and its presenters have expanded their activity to new professional spaces.
The importance of these figures does not reside solely in the volume of followers. The format combines long conversations, which allow developing a relationship of familiarity with the viewers, with short clips adapted to the algorithms of social networks. A statement made during a one-hour conversation can end up turned into a video of a few seconds and reach users who have never listened to the full episode.
From popular culture to housing: the growing weight of social issues
Although La Pija y la Quinqui is not a program dedicated exclusively to politics, its presenters have been incorporating social issues into their public interventions. Particularly significant is the evolution of Mariang Maturana, who in recent months has participated in conversations about youth precariousness, the difficulties of accessing housing, and the contradictions that accompany the professional success of new generations.
In March 2026, during a television interview, Mariang summarized one of those contradictions with a reflection that connected her media trajectory with the residential situation of many young people: "How is it possible that it was easier to interview Pedro Sánchez than to buy a house?". The phrase brought to the public debate a concern that affects numerous citizens and has become one of the main issues in current Spanish affairs.
Her positioning on housing has gained greater visibility during the mobilizations and encampments organized in Puerta del Sol in Madrid. The content creator has addressed these protests in her collaborations with Cadena SER, where she participates in the program "Hora 25", and has reflected on the collective response of those demanding solutions to the housing problem.
In an intervention broadcast on October 6, Mariang described the mobilization for housing as an experience capable of transforming social discontent into collective participation. "Anger has turned into hope", she noted when referring to the organization of the protesters and the atmosphere generated around the encampment.
These interventions show how a figure initially known for her conversations about music and entertainment can gain visibility in current debates. However, the opinions expressed by Mariang in a personal capacity should not be automatically confused with a joint position of La Pija and la Quinqui nor with support for a specific political candidacy.
Influencers and their ability to influence electoral campaigns
The trajectory of La Pija and la Quinqui represents a broader transformation in the way parties and leaders relate to citizens. Social media and content creators have become channels capable of competing for public attention with traditional media, especially among those who consume current affairs in a fragmented manner through their mobile phones.
For those responsible for political communication, these spaces offer a different opportunity than conventional interviews. A leader participating in a podcast can talk for an hour about personal and cultural issues, show aspects of their personality that are less visible in institutional events, and reach an audience that does not necessarily follow political appearances. Pedro Sánchez's interview in 2023 constitutes one of the most recognizable examples of this strategy in Spain.
However, the relationship between digital popularity and electoral influence is complex. Having hundreds of thousands of followers does not mean having a politically homogeneous community, nor that viewers share the opinions of those presenting the program. The audience may consume this content for entertainment, cultural interest, or identification with its protagonists, without it necessarily implying an electoral decision.
There are also differences between creators who produce expressly political content and those who occasionally address public issues. In the case of La Pija and la Quinqui, its main appeal continues to be entertainment and informal conversation, although its experience shows that the boundaries between popular culture, current affairs, and politics are becoming increasingly less rigid.
The precedent of Sánchez in 2023 and the challenge of 29N
The general elections on the upcoming November 29 once again place digital communication among the relevant elements of the campaign. The early call comes in a context marked by the housing crisis, social mobilizations, the fragmentation of the left, and electoral competition between the Popular Party and Vox, issues that also have a strong presence on social media.
In this scenario, the precedent of Sánchez's interview with La Pija and la Quinqui becomes relevant again. The 2023 episode showed that politicians are willing to participate in spaces outside of political journalism to expand their presence among certain audiences. The question now is whether the main candidates will again resort to similar formats in the weeks leading up to the elections.
For the moment, it is not recorded that La Pija and la Quinqui have announced a new electoral interview with Sánchez or with other candidates for the 29N. Their relevance in this series of profiles does not depend on a confirmed participation in the upcoming campaign, but on their trajectory, their digital community, and the precedent they established in the previous general elections.
Carlos Peguer and Mariang Maturana have demonstrated that an entertainment podcast can become, under certain circumstances, a political communication scenario of national reach. Their ability to bring together figures from culture, introduce social debates, and maintain a young audience places them among the clearest examples of how new communicators participate in the formation of public conversation.
Looking ahead to 29N, the case of La Pija and la Quinqui raises a question that goes beyond their follower numbers: to what extent can the spaces where young people entertain themselves, inform themselves, and share personal experiences also influence their way of perceiving leaders and major political debates? An influence difficult to translate directly into votes, but that parties have already begun to incorporate into their communication strategies.